{"title":"Film","description":"\u003cp\u003eBrowse our Film collection. Hot Sale.\u003c\/p\u003e","products":[{"product_id":"orson-welles-commercial-break","title":"Orson Welles’ Commercial Break","description":"\u003cp class=\"MsoNoSpacing\"\u003eOrson Welles’ Commercial Break\u003cspan style=\"mso-bidi-language: TA;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-language: TA;\"\u003eR\u003c\/span\u003e\u003cspan style=\"mso-bidi-language: TA;\"\u003eobert Kroll\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e300 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eISBN \u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e9798905350238\u003cspan style=\"mso-tab-count: 1;\"\u003e paperback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798905350245\u003cspan style=\"mso-tab-count: 1;\"\u003e hardback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eOrson Welles’ time as the spokesman for Paul Masson wines is commonly seen as a low-point in a once-great career: the writer, director, and star of \u003ci\u003eCitizen Kane\u003c\/i\u003e reduced to shilling for a budget wine brand. These and other Welles-starring commercials became equally derided and parodied. Leaked outtakes from a Paul Masson Champagne commercial and the infamous “frozen peas” tape became widespread, further blemishing Welles’ reputation.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eYet these commercials not only afforded Welles stability but allowed him to use his own funds to finance his own personal plays and films in a time when no studio would. Many people made their careers working with Welles on these commercials, some of whom still work in the 21st century.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003eOrson Welles’ Commercial Break\u003c\/i\u003e illuminates the history of Welles’ commercials from the thirties to the eighties, putting them into the greater context of his career. Welles’ commercials may be the most misunderstood facet of his career, but they are not the nadir as so often portrayed.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eThis book also features interviews from people who worked with Welles on these commercials (many never previously interviewed before) along with many never-before-published pictures from these commercial productions.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN;\"\u003eCover art by Don Simpson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN;\"\u003eRobert Kroll is a teacher at various schools and prisons throughout Michigan. He has written articles for Wellesnet.com, \u003ci\u003eBronze Knuckles\u003c\/i\u003e, and \u003ci\u003eThe Shadowed Circle\u003c\/i\u003e. Kroll also contributed a story to \u003ci\u003eMegaton Man: Multimensions \u003c\/i\u003ein collaboration with Don Simpson. In 2017 he self-published \u003ci\u003eThe Study Guide to the Lives of Harry Lime, \u003c\/i\u003ean overview of the prequel radio series spun off from \u003ci\u003eThe Third Man\u003c\/i\u003e. He is currently working on a book about George W. Trendle, co-creator of The Lone Ranger and Green Hornet.\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":55896469897384,"sku":"lks1787305930613","price":20.1,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":55896469930152,"sku":"yvi1787305930614","price":32.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/3246\/4808\/files\/orson-welles-commercial-break_1.jpg?v=1787305936"},{"product_id":"you-have-to-run-fast-the-feature-films-of-edward-l-cahn","title":"You Have to Run Fast - The Feature Films of Edward L. Cahn","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e\u003cstrong\u003eYou Have to Run Fast - The Feature Films of Edward L. Cahn\u003c\/strong\u003e\u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eHenry Nicolella\u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e362 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e7 x 10 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: #000000;\"\u003eISBN \u003c\/span\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e9798887719788\u003cspan style=\"mso-tab-count: 1;\"\u003e paperback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eISBN 9798887719795 hardback\u003c\/span\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"color: black;\"\u003e\"Despite a career trajectory that made Edgar G. Ulmer look like David Lean, Edward L. Cahn persisted, almost maniacally, in creating an extensive body of strange, dark and intensely personal work.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"color: black;\"\u003eDave Kehr\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eLong before he became “Fast Eddie”, maestro of the 5 day shooting schedule, Edward L. Cahn was Universal’s top editor during the Silent Era. Graduating to director in 1930 he helmed a couple of films that are considered classics today. Unfortunately, his version of the chain gang drama “Laughter in Hell” was a disaster and so brutal that audiences sometimes walked out of it. That finished Cahn at Universal. Hoping to produce as well as direct, he went to England in 1934 but that proved to be such a debacle he was even homeless for a while (along with his pal John Huston). Back in America he signed on at MGM which proceeded to waste him over the next ten years doing mostly shorts, After that, Cahn worked for one low budget studio after another, turning out movies of every genre though today that period is remembered mostly for his horror and sci fi films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eThe book covers all of his feature films from best to worst. The chapter on his unfortunate sojourn in England-which likely derailed his career-is chronicled by the many letters Cahn wrote to his wife, and which are often filled with black humor though not without an unkillable stream of optimism no matter how unpromising the circumstances. Cahn’s son David and granddaughters have provided a number of behind-the-scenes stills showing Cahn at work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"color: black;\"\u003eHenry Nicolella spent most of his life working with the homeless but in between listening to crazy stories, breaking up fights and passing out sandwiches he found the time to watch many, many old movies. He later began writing about them and books he has worked on include \u003ci\u003eAmerican Silent Horror, Science Fiction and\u003c\/i\u003e \u003ci\u003eFantasy Films,\u003c\/i\u003e \u003ci\u003eDown from the Attic, Many Selves\u003c\/i\u003e, \u003ci\u003eUniversal Forties Monsters\u003c\/i\u003e and \u003ci\u003eFrank Wisbar, the Director of Ferryman Maria.\u003c\/i\u003e He lives in Syracuse, New York.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":55896469962920,"sku":"una1787305930655","price":26.6,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":55896469995688,"sku":"vpi1787305930656","price":29.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/3246\/4808\/files\/you-have-to-run-fast---the-feature-films-of-edward-l-cahn_1.jpg?v=1787305936"}],"url":"https:\/\/www.greenvalleycart.shop\/collections\/film.oembed","provider":"My Store","version":"1.0","type":"link"}